“You can’t be serious!”
Abraham looked sympathetically at his friend. “Ah, but Theo,
I am deadly serious. It was his dying wish and who are we to circumvent
it?” He smiled kindly as Theo’s powder
blue eyes cleared of the confusion of his many long years and looked lovingly
at the panels.
Then they both looked at the fire.
It raged with a controlled vengeance, hungry enough to
devour the world but held fast to its leash. The wood panels lay innocently on
the ground. The moonlight flickered—no—caressed the lacquered boards. Paint
flowed in a perfect succession of brush strokes—wild—then calm. An old man’s
face loomed from a sea
of Mars black, etched in
the paint. Cobalt eyes wept with both love and pity. The old man floated in the
sky high above the world, arms stretched outward…grasping…pleading. A million
souls fell into a sea of filth and despair. Engaged in sex and murder, lust and
hate they created their own sewer as they drifted to the depths of hell. The
sewer split and reemerged on the second panel. Angels sang in a soundless
chorus as Jesus raised his arms to his Father. His perfect features begged for
mercy.
The two old men stared wordlessly at the panels. The tug of
war between father and son, the sorrow dripping from their faces, as they
watched man create his own demise was surreal. The angels sang—the first bards
to record the Black Day of Judgment. It had taken Charles 54 years to perfect
it. He had painted with a two inch brush in broad strokes and then gone over
those strokes with the smallest brush he could find. Indeed the tools used to
create the piece were laid lovingly beside it. The tiny brush so worn that tape
held it together. The fine horse hair bristles were long gone and replaced with
the pointed ends of Charles’ own strands.
Theo grasped Abraham’s arms, “Please Abe, reconsider. Once
it’s gone…the world should see it! They should know…” he broke off too
distraught to finish. Abe squeezed his shoulder. Abe was in his 80’s and in no condition
to lift the solid cherry wood, six foot long panels alone. Abraham would need
Theo’s help to do this. “We’ll have to work fast Theo or we’ll never have the
heart to finish this monstrous act.”
Theo looked up, eyes wet for the loss of their close friend,
for the loss of his life’s work. “Monstrous indeed. You know this isn’t right
Abe. This is his Masterpiece!” Abraham shook his head slowly. “No Theo. It will
be his masterpiece when we finish the task at hand. He trusted us. We must
follow through.”
They raised the first panel and tossed it with a heave onto
the fire. Flames shot up as high as they could see when the lacquer finish
struck. The fire was pleased to feast on such a treat. They threw the second
panel on top of the first. Theo collapsed from strain and grief. Abraham
reached down for the brushes, pallet, and paint. He fed them to the roaring
beast.
They watched the panels melt and burn. They watched the
flames lick the paint from the boards. They held each other in mourning as the
fire began to eat it. When the last flame flickered they rose and gathered up
the hot ashes that remained.
They filled the urn with them.
Hours later they placed the urn on the table and stole the
urn holding Charles’ true ashes. He said his life was nothing without his work
and, therefore, his death irrelevant. He wanted his art to be mourned, not
himself. So he asked them to swap the ashes—to hide his body away—and mourn his
true self.
They scattered his body to the wind…and remained silent as
the parlor filled with loved ones. A large portrait of Charles rested proudly
on an easel next to the urn. He’d requested that there be no viewing of his
body, just a humble memorial service for his charred masterpiece.
I love the details of the fire, the caress of the burn. And I like how you've made this character seem real without even him showing up. Nicely done.
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